Supplemental Reading

Allen, Richard, Hitchcock’s Romantic Irony (New York: Columbia University Press, 2007).

Bailyn, Dallek, Davis et. al, The Great Republic, A History of the American People, Volume 2, 4th ed. (Lexington, MA: D. C. Heath and Co, 1992)

Biskind, Peter, Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film (New York: Simon & Schuster, 2004).

Brakhage, Stan, Essential Brakhage: Selected Writings on Film-Making (Kingston, NY: McPherson, 2001).

Braunstein, Peter, and William Doyle, eds., Imagine Nation: The American Counterculture of the 1960’s and 70’s (New York: Routledge, 2001).

Carney, Raymond, Shadows (London: BFI Classics, 2008).

Evans, Robert, The Kid Stays in the Picture (New York: Hyperion, 1994).

Farber, Manny, Negative Space: Manny Farber on the Movies (New York: Da Capo, 1998).

Guerrero, Ed, Do the Right Thing (London: BFI, 2001).

Hoberman, J., Vulgar Modernism: Writing on Movies and Other Media (Philadelphia: Temple University Press, 1991).

Hoberman, J. and Jonathan Rosenbaum, Midnight Movies (New York: Da Capo, 1991).

James, David, Allegories of Cinema: American Film in the Sixties (Berkeley: University of California Press, 1989).

Kael, Pauline, ‘Circles And Squares’, in Gerald Mast & Marshall Cohen (ed), Film Theory and Criticism: Introductory Readings, 2nd Edition (Oxford: Oxford University Press, 1979), 666-679.

Killen, Andreas, 1973 Nervous Breakdown: Watergate, Warhol, and the Birth of Post-Sixties America (New York: Bloomsbury USA, 2007).

Lasch, Christopher, The Culture of Narcissism: American Life in an Age of Diminishing Expectations (New York: W. W. Norton & Company, 1991).

Manovich, Lev, The Language of New Media (Cambridge, MA: The MIT Press, 2002).

Pierson, John, Spike Mike Reloaded: A Guided Tour Across a Decade of American Independent Cinema (New York: Miramax, 2004).

Prince, Stephen, Firestorm: American Film in the Age of Terrorism (New York: Columbia University Press, 2009).

Renan, Sheldon, An Introduction to the American Underground Film (New York: E.P. Dutton & Co. Inc., 1967).

Rodley, Chris, ed. Lynch on Lynch, revised edition (New York: Faber & Faber, 2005).

Sarris, Andrew, ‘Notes On The Auteur Theory In 1962′, in Gerald Mast & Marshall Cohen (ed), Film Theory and Criticism: Introductory Readings, 2nd Edition, (Oxford: Oxford University Press, 1979), pp. 650-665.

Sitney, P. Adams, Visionary Film: The American Avant-Garde, 1943-2000, 3rd ed. (New York: Oxford University Press, 2002).

Thomson, David, The Whole Equation: A History of Hollywood (New York: Vintage, 2006).

Thomson, David, The Moment of Psycho: How Alfred Hitchcock Taught America to Love Murder (New York: Basic Books, 2009).

Tyler, Parker, Underground Film: A Critical History (New York: Da Capo, 1995).

Vogel, Amos, Film As A Subversive Art (New York: Distributed Art Publishers, 2005)

Zinn, Howard, A People’s History of the United States, 1492 to the Present (New York: Harper Perennial Modern Classics, 2005).

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